Faith Venus Blue Moon FVBLM
A truly stunning, exotic beauty with a distinctive voice.
The Venus Blue Moon is a truly individual instrument. One of the beauties of genuinely solid, natural tonewoods is that each piece of solid timber used will vary in its natural colouration and its particular grain patterns. So your Blue Moon will be as unique as you and your music.
Tonally, Mango has an interesting character. It is not as loud and punchy as rosewood nor as straightforwardly mellow as mahogany, yet it bears its own distinctive warmth. With frequency prominence starting a little below that of mahogany and dropping off a little earlier in the mid-range, the overall tone could be described as dark and moody. Much like maple guitars, the reduced level of resonant overtones makes the Mango-bodied Blue Moon a perfect stage guitar: Eminently controllable, balanced and resistant to feedback.
Mango trees grow freely right across the Indonesian archipelago, so the timbers used on Blue Moon guitars are sourced close to our workshops in Java, Indonesia, and as always, from certified timber merchants.
Finished with flamed Maple binding, Macassan Ebony fittings, Fishman Electronics and complete in a hard case, your Faith Venus Blue Moon is sure to intrigue and delight you at every turn.
The Venus is the now iconic shape that brought Faith Guitars to the consciousness of so many players over the years. The combination of a 15" lower bout and a slimmer depth of body looks to classic OM or Auditorium body-shapes for inspiration, and makes the Venus the perfect compromise. In fact, the Naked Venus was voted 'The UK's Best Acoustic Guitar' at the MIA Music Awards in 2013.
It is still big enough to deliver a big acoustic performance, yet remains small enough for the player to jump around on stage with no problem.
|Top Wood||Solid Figured Java Mango|
|Back Wood||Solid Figured Java Mango|
|Side Wood||Solid Figured Java Mango|
|Bracing Material||Hand-Scalloped Quarter-Sawn Spruce|
|Bracing Pattern||Patrick James Eggle X-Brace Design|
|Rosette||5mm Abalone with Fibre Border|
|Neck Joint||Patrick James Eggle Bolt-On Design|
|Fingerboard||Macassan Figured Ebony|
|Fingerboard Inlays||Mother of Pearl 'F' at 12th Fret|
|Machine Head||Grover Rotomatic Chrome|
|Nut / Saddle||TUSQ (PQ-6116)/(PQ-9110)|
|Nut Width||Nut 43mm / String Spacing 55mm|
|Bridge||Macassan Figured Ebony|
|Bridge Pins||Macassan Figured Ebony with Abalone Dots|
|Finish Type||Gloss Top / Gloss Back and Sides|
|Preamp / Pickup||Fishman INK3 Preamp with undersaddle pickup|